Harn Magazine

Fall 2022

Summer 2022

Spring 2022

Fall 2021

Summer 2021

Spring 2021

Fall/Winter 2020

Spring/Summer 2020

Fall 2019

Museum Documents

Harn Museum Code of Ethics

Collections Management Policy

Policy on Collecting Archaeological Materials and Antiquities

Safeguarding our Objects for Future Generations Abstract

Interpretive Philosophy



Harn General Brochure

On Guard: Protecting Collections from Deterioration

En Guardia: Protejamos las Colecciones del Deterioro

Strategic Plan

Strategic Plan 2020 - 2025
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Annual Reports

Annual Report 2016 - 2017

Annual Report 2015 - 2016

Annual Report 2014 - 2015

Annual Report 2013 - 2014

Annual Report 2012 - 2013

Annual Report 2011 - 2012

Annual Report 2009 - 2011

Annual Report 2008 - 2009

Annual Report 2007 - 2008


Gallery and Family Guides

What if I am a part of something?

Divergent Convergence: The Arts of Creativity, Discovery & Inquiry

Meant to Be Shared: Selections from the Arthur Ross Collection of European Prints at the Yale University Art Gallery 

Framing Nature:
The Living World in Art

Dancing in the Moonlight: Zara Masks of Burkina Faso

Patterns Past and Present:
Arts of Panama

Patterns Past and Present:
Arts of Panama (Spanish)

Nature and Art in Asia

Understanding Contemporary Japanese Ceramics

Monet and American Impressionism

Kabas and Couture





Asian Collection Brochures

Religion in the Round

Avenues of Exchange

Korea: Collecting Treasures

Korea: Collecting Treasures
(Korean Translation)

Conserving Treasures

What is a Japanese Painting?



David A. Cofrin Asian Art Manuscript Series

Intersections: Art and Islamic Cosmopolitanism

Original Intentions: Essays on Production, Reproduction, and Interpretation in the Arts of China

Collectors, Collections and Collecting the Arts of China: Histories and Challenges

The Landscape Painting of China: Musings of a Journeyman

Tokaido Texts and Tales: Tōkaidō gojūsan tsui by Kuniyoshi, Hiroshige, and Kunisada

Arts of Korea: Histories, Challenges, and Perspectives

Arts of South Asia: Cultures of Collecting