My interest in art was born, above all, from a need for communication. Since I was a child, I was a very shy person, and it was often difficult for me to express emotions or thoughts directly. Art appeared as a space where I could still communicate, using images, actions, sounds, and experiences instead of words. It was a way to find my own voice and to create connections with others from a more intuitive and sensitive place.

I also grew up in an environment heavily influenced by art. My father was a theatre director and my mother an architect, and both had an especially important impact on my training and sensitivity. From the theatre I inherited an interest in presence, the body, the scene, and the emotional dimension of experience. From architecture came my attention to space, structure, and the way in which places hold memory and history. These influences were fundamental to understanding art not only as an object, but as a living and transformative experience.

From my first works I understood artistic practice as a form of presence and connection, a space where I could explore emotions, social tensions and internal states that are difficult to express in words. In general, what inspires me is the possibility of creating an experience where art functions as a bridge between the personal and the collective, between memory, the body and the environment.