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View frequently changing exhibitions drawn from the Harn’s collections of more than 10,000 works of art, and loans from both private lenders, artists, and other art museums. Works on display in eleven galleries include paintings, drawings, ceramics, sculpture, photography, video, beadwork, textiles and more. The Harn’s collection galleries focus on African, Asian, modern and contemporary art, and photography.
Blank Space invites you to create, respond and play in the museum. In this gallery you will find interactive installations; scheduled opportunities for yoga, storytelling and dance performances; and art by students.
The Same But Different celebrates the Harn’s growing photography collection. It highlights more than 90 photographs by 50 photographers arranged in 13 themes. The images in each theme share a visual or conceptual component that is then interpreted through each photographer’s unique sensibility.
The art of miniatures takes many forms and exists across time and cultures. Issues of size, scale, modeling, ownership, production and historical and contemporary functions of miniatures will be examined.
The Harn Museum’s collection of works by Jamini Roy ranks among the largest public collections of distinguished holdings by the artist outside of India. Inspired by Indian village artisans, Roy often used pigments made from organic matter, including rock-dust, tamarind seeds, and mercury powder, to paint his canvases.
Contemporary Japanese ceramic artists make objects that challenge traditional definitions of clay, in both technique and aesthetic expression. The works on display demonstrate a wide variety of transformations, innovations and reinterpretations of traditional wares. While some artists defy notions of inside versus outside, others conceptualize new definitions of form through materials, processes, surface treatments and firing methods.
Intra-Action celebrates 36 international women artists working from the mid-20th century to the present, including the groundbreaking, radical collective called The Guerrilla Girls. More than 70 works challenge patriarchal domination, notions of gender, identity and the art world itself.
The American artists featured in this exhibition represent a fine examples from a large and diverse body of the movements that have defined abstraction since 1945. Artists in these decades grappled with the making of meaning through artistic expression, the science of illusion, the power of color and shape, and the experimental possibilities of form and gesture.
Masks from the mid-20th century to the early 21st century show the continuity of masking but also feature new directions in masquerades, such as the fancy dress masks of Ghana.
Sahel, meaning “shore” in Arabic, refers to the region bordering the Sahara Desert. Art in the Sahel reflects assimilation of diverse cultural and visual ideas that have enriched this region for centuries. Shore Lines: Art Across the Sahel presents historical and contemporary works from the Harn’s collection made by artists who live in the Western Sahel, including the nations Mali, Senegal, Mauritania, Niger, Burkina Faso and Chad.
Spotlight: Latin America will celebrate the contributions of 37 artists from the Caribbean, Mexico, Central America and South America. The works—roughly 50 in all—will be drawn mostly from the Harn’s collections with additional loans from private Gainesville collectors. The exhibition includes Spanish translations of the gallery interpretation.
The Cofrin Asian Art Wing contains four main galleries with more than 680 works showcasing the Harn's collections of Chinese, Indian, Japanese, Korean, and South and Southeast Asian Art.
This exhibition presents highlights from the museum’s holdings of American, European and Latin American art spanning the mid-19th century through the first half of the 20th century.